Agha jaani Kashmiri writes in his memories’” Sehar Hone Tak’ that when he narrated the story of ‘Love in Simla’ to S. Mukherjee he asked me go and narrate the same to Shami Kappor. He wanted to sign Shammi for the male lead.
And then a college going kiddo with books walked in and greeted them. When Agha Jaani found out that that kid was the son of S. Mukherjee he said ‘ we have a hero in the house, why sign Shammi?”
But he can’t speak a word of Hindi
I will teach him.
That kiddo later came to be known as Joy Mukherjee.
For Heroine, R. K. Naiyyar, another young man from the stable of S. Mukherjee was adamant that he will only take Sadhna else he will not direct the film.
Another one of S. Mukherje protégé Nasir Husian was adamant that he will only make ‘ Dil Dekho Dekho’ with Asha Parekh. S. Muekhrje wanted Sadhna to be in that film opposite Sahmmi Kapoor.
S. Mukherjee, the producer gave up on both the occasions…..
And ‘ Dil Deke Dekho’ was made with Asha Parekh n Shammi Kapoor in 1959.
And this is how ‘ Love in Simla’ was made with Sadhna n Joy Mukehrjee in 1960.
Agha Jaani has to say this about Sadhna " Is ki Zabaan bhi saaf hai, dil bhi saaf hair aur hath bhi saaf hai. Tabiyat ki shareef, Dil ki Shareef, Nazar ki shareef - ye apne shikar ko door se shikar karna jaanti hai aur is trah ke marne wala khushi se jaan de deta hai" - Sehar Hone Tak, 1967
I discovered these geniuses during my college days. My frnds used to love Jeetu and Mithun song n dance routines – but I was in awe of these masters for their arts. I used to see these films ‘alone’ at Imperial Cinema matinee show whenever they were shown..
Even today I see films and plays alone…..
'Tumhi Ekla Chalo Re'... to yaron ki hamehsa se policy rahi hai...
But that’s another story!
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